Canadian theatre has a one-and-done problem. Mirvish’s ‘Tell Tale Harbour’ signals changing tides

News Room
By News Room 14 Min Read

Canadian musicals typically face one of three fates.

Most receive a glittering world premiere, usually at a not-for-profit theatre company, only to be shelved and never seen again. A select few receive further workshops, only to languish in a cycle of developmental purgatory. And an even smaller cohort of shows are picked up for further runs, only to die a slow death on the regional circuit.

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