When Sue Tilley met Lucian Freud, it changed her life. Now a painting of her could fetch $47 million

Tilley hasn’t seen any of the millions that the portraits have fetched at auction. But she doesn’t regret a thing.

“It did change my life,” Tilley told The Associated Press as she sat in front of the 7 1/2-foot (2.3-meter)-high nude image of herself in the auction house showroom. “Who would have thought I’d be in Sotheby’s?”

“Sleeping by the Lion Carpet,” painted in 1996, is the last of Freud’s four monumental portraits of Tilley reclining, resting or dozing. An earlier painting, “Benefits Supervisor Sleeping,” sold at auction in 2008 for $33.6 million, at the time a record for a living artist.

“I was thrilled I was in ‘The Guinness Book of Records,’” said 69-year-old Tilley, who has a rich laugh and an air of delight at the twists her life has taken. “Unfortunately, it didn’t say my name. There was a picture and it said ‘Benefits Supervisor.’ But I was still thrilled that it was there.”

Cups of tea and paint everywhere

Freud, a grandson of psychoanalyst Sigmund Freud, is famed for fleshy nudes of friends, family and the artist himself. He slathered oil paint to capture his subjects’ mottled skin tones in portraits that are both unsparing and warm. He even painted Queen Elizabeth II — fully clothed. By the time of his death aged 88 in 2011, he was the most acclaimed British portrait painter of the 20th century.

His reputation has only grown since. Another picture of Tilley, “Benefits Supervisor Resting,” was auctioned in 2015 for $56.2 million. In 2022, his painting “Large Interior, W11” sold for $86 million.

Tilley met Freud through her friend Leigh Bowery, the late Australian performance artist, who also posed for the painter. She recalls “trudging up the stairs” to Freud’s London studio for sittings that involved plentiful tea and chitchat, punctuated by a good lunch. Each portrait was the product of months of work.

“Sleeping by the Lion Carpet,” Tilley says, “was the most comfortable one, because I was sitting up in a chair. Lying down on the sofa looks comfortable, but after a while it got a bit painful.”

Freud painted his friends, lovers, children and colleagues, and the results are bold and exposing. Tilley says that has never bothered her.

“I’m not really vain,” she said. “Sometimes I get out of bed in the morning, and I look at my legs and go, ‘Oh, they look just like that painting.’”

She loved the messy energy of Freud’s studio, where “he used to make you a drink and whisk it up with a dirty old paintbrush, and there was paint absolutely everywhere. I’d go home and there’d be bits of paint all over me.”

Tilley was part of a 1980s and ‘90s London creative scene, alongside figures like Bowery, who ran the avant-garde Taboo nightclub and died in 1994 aged 33. She says she enjoyed Freud’s tales of an earlier Bohemian era.

“I used to love hearing about when he was roaring around in a Rolls-Royce open top with Cecil Beaton and Marlene Dietrich and goodness knows (who), and when he met Judy Garland,” she said. “I used to love getting the stories of his youth and his misbehavior.”

Freud’s ‘magnum opus’ up for sale

Tilley is unperturbed that her image is ending up in the hands of the ultra-wealthy. “Benefits Supervisor Sleeping” was bought in 2008 by Roman Abramovich, the then-owner of Chelsea Football Club, who was sanctioned by the U.K. after Russia’s 2022 invasion of Ukraine.

“Sleeping by the Lion Carpet” is part of a June 24-25 sale from the collection of British billionaire Joe Lewis, the former majority owner of Premier League soccer team Tottenham Hotspur, which is still owned by his family. Also going under the hammer are works by Henri Matisse, Gustav Klimt, Egon Schiele and others, collectively valued at more than 150 million pounds ($201 million).

There’s a chance “Sleeping by the Lion Carpet” could set a new record. Oliver Barker, chairman of Sotheby’s Europe, describes it as Freud’s “magnum opus.”

“This is a painting that during his lifetime was very much described by Lucian as being the apogee of everything that he was trying to achieve as a painter,” Barker said. “The market knows, and it’s very savvy, it wants to go for the best of the best — and this is it.”

Tilley, who is retired and lives on England’s south coast, says Freud “gave me a couple of etchings, and then I sold them, because I’d rather have the money, and I went on holiday.”

She says she doesn’t regret Freud not leaving her one of the paintings. Her place in art history is secure.

“When I was younger, I used to read art books the whole time and read all about the Pre-Raphaelites and the Impressionists, all the goings on, how they’re all friends and interconnected and all the models knew each other,” she said.

“And now, I’ve only just realized, I’m part of that. And that’s thrilling for me that I’ve achieved my ambition without really knowing it.”