Book Review: 'Dead Air' tells history of night Orson Welles unleashed fake Martian invasion

The book serves as an enjoyable history of the radio drama, with a fair share of fascinating details about its production and historical context. But it falls short on exploring the legendary reports of mass hysteria among listeners who believed they were hearing an actual Martian invasion unfold.

In appropriately cinematic detail, Hazelgrove chronicles Welles’ rise and manic working style — even including a hilarious account of a scuffle that broke out between Welles and Ernest Hemingway and ended with the pair toasting each other over whiskey.

The book highlights what made Welles’ production particularly powerful, airing at a time when millions remained unemployed from the Great Depression and the nation was on edge about the threat of Nazi Germany. He details how Welles took advantage of those fears, including using an actor who sounded like Franklin D. Roosevelt for a part in his broadcast.

“A bottled-up sense of panic was in the air and people could almost smell the fear,” he writes. “Orson Welles would open that bottle and let the fear run wild.”

The book’s biggest flaw is Hazelgrove’s exploration of just how wild that fear ran. Hazelgrove too easily dismisses the modern reappraisal that reports of a widespread panic were exaggerated, and shows little skepticism about news accounts from then that were largely based on anecdotal reports.

Hazelgrove also makes an unconvincing argument that there were deaths that can be attributed to the panic over the broadcast. He even stretches to speculate that a car accident reported on the night of the broadcast could have been related without any evidence to back that up.

There’ no doubt that Welles’ drama had a major impact on pop culture, and “War of the Worlds” will have an enduring legacy. Hazelgrove’s book misses an opportunity to fully revisit the reports of the panic it caused.

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